The Anatomy of Type: A Graphic Guide to 100 Typefaces
Original price was: $27.99.$19.49Current price is: $19.49.
Price: $27.99 - $19.49
(as of Nov 04, 2024 15:28:38 UTC – Details)
A visual treat for anyone who loves fonts and typographic design.
The Anatomy of Type explores one hundred traditional and modern typefaces in loving detail, with a full spread devoted to each entry. The full character set from each typeface is shown, and the best letters for identification are enlarged and annotated, revealing key features, anatomical details, and the finer, often-overlooked elements of type design. Containing in-depth information on everything from the designer and foundry, the year of release, and the different weights and styles available, The Anatomy of Type is more than a reference guide to the intricacies of typeface design. It is a visual send-up of some of the world’s most beloved typefaces, beautifully displayed in vibrant color.
ASIN : 0062203126
Publisher : Harper (November 13, 2012)
Language : English
Hardcover : 256 pages
ISBN-10 : 9780062203120
ISBN-13 : 978-0062203120
Item Weight : 2.4 pounds
Dimensions : 7.77 x 1 x 9.94 inches
Customers say
Customers find the book very thorough and informative. They say the author did an awesome job researching, selecting, and comparing the typefaces. Readers also appreciate the great text and visuals. Additionally, they mention the book is perfect for those interested in typography and there seems to be some innovation in how typefaces are described.
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13 reviews for The Anatomy of Type: A Graphic Guide to 100 Typefaces
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Original price was: $27.99.$19.49Current price is: $19.49.
S. Llamas –
Great and useful book.
What I like:Every time I open this book I learn and see something new about the fonts. This book definetively helped me to see typeface design in a closer and more detailed way.Despite nowadays there are several enemies of type classifications it is very illustrative to see the different and punctuated classifications proposed. The book doesn’t aim to enclose families in pigeonholes as it acknowledges that limits between styles may be very diffuse and one single typeface can gather features from very different places of the type universe and distant moments of history. As type designer it’s important to understand how consistent or varied can be an alphabet, what matters is to know where and why every applied feature comes from.What I think could improve:The description about the fonts could be deeper and more objective in some cases. However suggesting in wich contexts they work better is a very good idea.It would be great to have a deeper view to italic variants of the choosen fonts and how their anatomies change across the proposed classificaton as well. Also, I would like that script fonts were analyzed in the wide way they did with romans, but I guess that’s material for a different book.My conclusion:A great and useful book for typeface and graphic designers. I’m very happy for purchasing it. Despite what I mentioned it deserves 5 stars as it shows the author did an awesome job researching, selecting and comparing the fonts.(Sorry if my English is not clear or inaccurate, I did my best)
llw studio –
Excellent resource
This is a beautiful, logical, analytical, practical and informative book. For any student of typography, this is worth buying and keeping. Nice little bits of the history of the fonts. It includes an in-depth look at typefaces with an esthetic AND functional approach. Included are large samples that show all the subtle details of the face; serifs, bracketing, terminals, strokes etc. with comparisons to other faces that have similar characteristics. Much of typography is about how a face looks when it’s applied, whether it’s printed or displayed electronically, what looks better in different sizes, on different papers etc. The author talks about that as well as the emotional effect the type has. Highly recommended!
Jodi C. Hull –
Good book – educational reference
I really enjoyed this book. As a self taught designer, I didn’t have the benefit of school to learn some of the details discussed here. Many key fonts analyzed and compared.
Doug McAllaster –
wonderfully clear and comprehensive
wonderfully clear and comprehensive
CJae Chambers –
Great for Graphic designers and illustrators
Must check this out if your any kind of Designer, illustrator or Writer in Graphic Design. I’m really impressed with the ideals of Illustration in this book.
Aaa –
Beautiful typefaces, beautifully presented – a useful book for those getting acquainted with type
The book showcases modern typefaces with suggested examples for use. I like the emphasis on letter characteristics, which gives you a starting point for examining other typefaces. Highly recommended for student typographers.
Ira H. Bernstein –
Review of “The Anatomy of Type A”
This is an excellent guide to the similarities and differences among type faces. It is not the only book of its kind, but it does a superb job.
Peter Allan –
A great guide to some of the most popular typefaces
Looking for a typeface for a project and wondering what the options might be? Want an in-depth analysis of 100 of the most popular and useful type faces? Consider this book as a great option.The introductory ” Anatomy of type” and discussion of type classification is most informative if, like me, you have an interest in type but not necessarily any serious training in typefaces. I came away understanding a lot more about type than when i started.I found may old favorites here but also many typefaces i did not know. Best of all, each one comes with a detailed description of the strengths and weaknesses of each one and when you might want to use it.For those typefaces I already (thought) I knew, the summary information was extremely well done, condensing probably most or all of the historical context and background information as well pointers for using the face into a few paras.The way the book is organised makes it easy to pin down the choices for your particular need and review the best options.My only beef is that while each typeface is illustrated with one ech of the caps, lowercase, numbers and some glyphs, i would have liked to see a block of text to illustrate how the typeface looks as body text. I couldn’t imaging make a choice for body text without looking carefully at how it flows across the page over a few paragraphs. The book doesnt provide this which i think is a shame. If you are really going to move to a new typeface, and probably spend some money buying it, I think you need a decent demo first, more than an up-close view of the key letter forms at medium and very large sizes. .Not to say the face is not analyses in great detail up close – it is. Theres just no way you can get a good idea of the typeface at body text size in a typical paragraph setting.Still, I recommend this if you have serious choices to make about typeface selection, would like some great inspiration or just have a healthy interest in type. I expect you will get years of value.
Chris Taylor –
This book is really great for showing major typefaces and how they vary. I like that the entire alphabet (upper and lower-case), numbers, and some symbols are shown for each face. Then, there are huge examples of letters that show the unique characteristics of each face. I find it very helpful in guiding me with the typefaces I have on my computer. I now know better what I should look for when picking a typeface for a specific purpose.
Mao Pentagram –
this book bring with many examples of types and form of letters, quality and so recomendable, if you want to learn more about types, this is the book!!
Gunjan –
Nice
Luccas Dias Rodrigues –
este é um ótimo livro, adorei minha aquisição, muito obrigado a t o d o s o s e n v o l v i d o s
Cliente Amazon –
El pedido llegó muy rápido y en perfecto estado. Un libro de referencia muy interesante para todo aquel que se adentre por primera vez en el mundo de las tipografÃas.